Thursday, August 25, 2022

Downtown Boston: urban landscape and hardscape impressions

A scenic view of one of the beautiful streets of Beacon Hill. See how the path is winding across the red-grey brick combination. The corner of two buildings gives shape to a small plaza with trees and climbers. The iron fence is to delineate, not to restrict the entrance to a quiet retreat.

I have visited Boston- Massachusetts two weeks ago, with the intention of keeping my training as an architect and urban researcher, learning about its urban morphology, the buildings technology, and its urban landscape-hardscape; every design is so different from what I currently see in Los Angeles, CA.
I had not the time to enjoy the interior architecture of the most important buildings, except the State House, my focus was mainly on urban impressions.
Compared to Los Angeles, what I really appreciated is the human scale of every passage, alley, street, avenue, so full of domesticity regardless the skyscrapers height. It is a virtue not seen in Los Angeles, the city of the cars, with huge walls as basements, so unfriendly for pedestrians, mostly in Summer.
I am sharing some of my hundreds pictures with captions of my impressions. All pictures were taken in August 2022 and belong to my archives. Please do not share without permission.

Urban planters with flowers, the black matching the entrance of the train station.

The metal fence is more a decorative prevention device as the level is lower inside the planters. I can't help noticing the trash can due to the lack of design, after reading the story of the design competition for expensive-fancy  trash cans in San Francisco.

Rectangular planters next to the pool and Brutalist buildings at the Christian Science Plaza. The planters have incorporated seats.

Christian Science Plaza. Another walk-through view, a serial vision in the words of Gordon Cullen. Here, the church at the end of the perspective, the hemicycle and continuous never ending seating at the edge of the lawn. 

The Children's Museum at the waterfront. The concrete and glass is extended and attached like a modern screen in front of the typical brick Boston building. See the floor design adjacent to the deck. 
Floor design patterns is everywhere, and so beautiful to see. Here and there, some gray planters. The lamp posts have a contemporary design, pretty much different from all others in Downton Boston.

The monolithic sculptural stones in front of the Children's Museum, they somehow remind me of Stonehenge.

A small plaza and playground before discovering the waterfront. 

In areas of contemporary development, the skyscrapers are separated with relax areas. Note the floor textures and the equipment color so bright in contrast with the buildings facades.

An avenue close to the previous picture. A colorful contemporary sculpture surrounded by native landscape, the lamp post caught my attention as old fashioned. Some Eclecticism is welcome here.

Same contemporary neighborhood. This so modern urban sculpture has been surrounded by a guardrail, obviously it has been a bad choice since the "spikes" may be dangerous for passers-by. I think the City should remove it, to the regret of the artist. I see it as the "anti Feng-Shui". :)

Chinatown. The Asian lion and some domestic planters here and there, as a limit of the colorful street playground. I think this street is confusing, the floor is so plain that it could be not meant for pedestrians. 

In continuation with the previous picture caption, see what happens when the street and pedestrian areas look the same. 

A planter in Boston Chinatown. I am wondering if the store owner added it to embellish the store?

The most accomplished urban design in Chinatown, it does not need too much explanation. See the picture is taken in Summer and though the colors are nice, the lack of shadow-trees-plants, make the place uninviting. One does not want to be sitting there in plain sun for in the hard Winter.

The Massachusetts State House at the end of the perspective, this is Boston Common Park, usually called "Boston Commons". I was chatting with a colleague-friend in real time and we had a good laugh when he asked me "Who planted this tree??".

Beautiful Beacon Hill street again, even though the sidewalks are narrow, the gate has two pines next to it. Very nice detail. I have also seen planters with flowers below the windows everywhere in Beacon Hill. Some of them were plastic plants, I assume due to the hard Winter.

Downtown Boston planters with longitudinal stones as seats.

Boston City Hall. Same planters, in combination with round ones full of Summer flowers. As a side note, people has criticized this Brutalist building, up to the point of calling it the  ugliest building in the world, per Wikipedia. My colleague friend and me find it amazing. 

The plaza around Quincy Market. The plain planters are  used as seats as well.

Quincy Market again. With the planters, pop up stands and longitudinal stone seating. See the lamp posts with flowers pots, they are everywhere. I see them as a domestic feature, nevertheless all elements are adding human scale. The place is alive without a doubt.

Quincy Market across the historical market. See the floor textures and patterns.

The Pandemics pop-up dining areas. I like how they include real hanging plants. I have seen too much plastic plants in Southern California pops-up. 

The flat contemporary fountain with the recurrent stone seats around.

These sculptural poles have some inbuilt seats as well, or at least they look like seats. This plaza has an artisans fair on weekends. Conventional benches are added across. 

Milkweed Balloon Plant

 

In continuation with my post of Front yards of Long Beach, I'd like to share these snapshots of the Milkweed Balloon Plant (Gomphocarpus Physocarpus) that I have taken back in July 2022 while walking in Long Beach, CA. 
The plant is native to southeast Africa, but has been widely expanded. It is an ornamental plant, also known as Hairy Balls, Balloon Cotton Bush, Bishop's Balls, Nailhead, or Swan Plant.
This one picked up my attention because it is the first time I see one on a front yard, so close to the sidewalk. It has been planted in combination with flowers bushes of different colors and textures. It looks very pretty in Summer.


My perception of the landscape design: Chihuly Gardens and Glass

 

A pure sphere is surrounded by tortuous glass snakes. We also see the colors contrast (blue against red and pink) and the low bushes morphology against vertical elements.

It has been a pleasure for me to visit the Chihuly Gardens and Glass in Seattle, back in May 2022. The indoors exhibition is fantastic, though a colleague of mine thinks it is somehow kitsch, Chihuly's sculptures are truly impressive.
Regarding the gardens, I was lucky that even though the day was grey, with some drizzle, I could walk around and take pictures to share on my landscape blog.
Of course many of us have no means of installing expensive pieces of art in our gardens, but at least we can see and learn about the combinations that could be recreated with any other sculptures. Captions are added per my own perceptions as an architect and artist, to help my readers have an interpretation of the landscape design. 
All pictures belong to my personal archives,  please do not share without permission.

Organic glass shapes mixed with low plants, in a sort of mimesis design. The red emerges as a group of freestanding independent flowers. The background is a solid mass of bushes.

Striking red as a totem sculpture against evergreen green trees. Note the different textures, the soft and the rough branches.

On the building side, the composition looks more architectural. This is not a mimesis, there is no way we can confuse those independent striking black sculptures with nature. The black is in contrast with the white flowers but closer to the gray-purple wild grass.

More red-orange like freestanding flowers against the evergreen. Note the somehow matching trees with the reddish trunks and leaves.

Here is a better view of the red arrangement. A low sphere inserted in the evergreen and the tall red-orange flowing lines against the reddish trunks. Note how the color is fading to the path with yellowish low plants. The height is decreasing to the path and the red emerges like flames.


A sort of mimesis, with green tones. Note how the real bushes and trees vary from dark to light green.

Striking red vertical elements among the light green foliage. The color turns yellowish to the path and the height is decreased.

Vertical light purple sculptures among matching color flowers. The pretty  lemon-green on the foreground. The background, tall evergreen trees right in front of the base of the Space Needle, as a transition of the impressive Space Needle's scale.

I like this one a lot. A center piece of a sculptural trunk has been selected to be surrounded by the vertical glass sculptures. All of them connected by a green "carpet". Note how the tree branch is left free to extend above the trunk. I think of it like a metaphor of people venerating a god with the branch overseeing like a major deity from the sky. 

This yellow glass tree looks pretty funny on top of the textured mound. But let us see in the next picture how it is seen from afar.

The yellow glass tree as seen from afar. I did not have the intention to have people in my pictures but it is unavoidable. It is clear how this "tree" is a focus of attention. Behind the path, layers with different textures and colors can be seen: lower white flowers, the red maple, the green bush circle, the grey-purple mound and the focal point.
It is important for landscape designers to move away from the point of interest and evaluate how it looks when we (farther) walk around.

Note how the scale is  diminishing towards the building. Besides, the color is darkened to emphasize the perspective.

The glass white structure as a transition between the indoor-outdoor. The red-yellow glass sculpture is hanging in the empty space and is aligned with the yellow glass tree at the end of the perspective. The green is involving the space and we can feel we are in between architecture and landscape.

If you ever have the chance to visit the Chihuly Gardens do not forget to look up and see how the Space Needle emerges so huge behind.

Just monochrome wild grasses as landscape design

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