Friday, November 6, 2020

The Foliage Garden

 


Path inside Westfield La Jolla. Photo by Myriam Mahiques, Summer 2018. Personal archives.
This landscape design above does not need flowers. The striking red of the restaurant columns and the dark planters combined with the white, light blue and soft gray is enough to capture our attention.

The most important feature of a foliage garden is the physical (somehow architectural) structure the leaves provide to the garden. 

Apart from the combination of different types of leaves, the long lasting foliage goes well with wild grasses, lots of ferns for shadowed areas, and a selection of deciduous to achieve different characters along the seasons.

Depending on the location of big leaves and small ones, an illusion of depth, or increased width can be created. If the big leaves are at the front of the arrangement, we will have a conceptual perspective that visually extends the limits.

From the book Combining Plants

From the book Combining Plants

From the book Combining Plants

From the book Combining Plants

From the book Combining Plants


Items to consider in a foliage garden:

How the plant will grow? Extended to the sides, or up?

How big the leaves will be once the plant is planted in the ground?

Do leaves cover the whole plant or just part of it?

Is the scale of the plant selected good for the garden?

Are we working with color combination? (silver-gray, golden, green, purple, blueish, yellowish…)

How many different leaves shapes are we combining?

Will the design be in repeating patterns or in masses?

Will there be a dominant plant or tree?

This picture is from my front porch. There is a Rubber Tree (Gomero) that I constantly trim, and a Pothos that survives the Winter if it is not too cold. The Pothos is planted under the eaves, in the ground. In consequence the leaves have grown unexpectedly big. Though not as big as the ones in Brazil. Picture by Myriam Mahiques, personal archives. 2020.

There is a variety of shapes: swordlike, rounded, heart shaped, detailed and intricate (like the Asparagus fern), lobed, pointed, etc. It is important not to select lots of different shapes, but repeat some patterns to create groups.

Textures varieties are smooth, shiny, rough, corrugated, ribbed, leathery,…. The smooth shiny leaves are the ones that reflect the sunlight more, but repel the rain. One of my favorites is lamb’s ears, due to the color and because it keeps the drops of rain and gives it a special brightness.

A combination I have at home: layers of Poinsettia in red-green. Above Asparagus Fern which tiny fruits will turn red. And behind and like a cupola supporting the fern, loose leaves of Queen of the Night and Dragon Fruit cactus. This arrangement allowed my Poinsettia to stay healthy the whole year. Picture by Myriam Mahiques, personal archives. 2020

The plants overall form is the first feature that captures our attention. Form is related to the foliage density and growth, which gives structure. Seen from afar, the foliage may appear coarse, fine or dense. The growth habits come in degrees; they could be upright, layered, pyramidal, domed, mounded, fan-shaped, arching, weeping, bowl-shaped. The combination of density and grow habit is the basis for the group morphology. Dark colors behind yellow add depth and three dimension.

The distribution of leaves allows the creation of boundaries or highlight certain areas. For example, more density at the edges of a group, and sparse plants inside. Heavy bushes look better in repeating patterns.

The Getty Center. Green arrangement with an edge, sparse plants and trees. Photo by Myriam Mahiques, personal archives. 2018

The Getty Center. Trees with green edges. Note the shadows of the trees on the light color floor. Photo by Myriam Mahiques, personal archives. 2018

 Reference book for the post: Combining plants. By the editors of Time-Life books. Consultant Robert S. Hebb. USA 1995


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